Movie Icons Garbo 电影明星嘉宝 pdf snb 115盘 kindle 在线 下载 pmlz mobi

Greta Garbo's uniquely photogenic beauty belies her great talent as an actress, as her performances in "Queen Christina" and "Camille" prove. A hint of a Garbo smile, touch, or glance conveyed volumes. She was languid, distant, and melancholy, yet in her love scenes she conveyed a passion and hunger that startled audiences and overturned American notions of eroticism and sexuality. Part of her fascination, too, is the mystery of her private lives and loves: "I want to be alone," she insisted, but she remains the world's divine woman. "The Movie Icon" series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. "Movie Icons" is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life. All the icons in the first 20 books of the series were voted for by over 7500 TASCHEN readers in a special online poll!

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David Robinson is a critic and historian of long experience. He was successively film critic for The Financial Times (London) and The Times (London). His books have included Buster Keaton, Hollywood in the Twenties, World Cinema, From Peepshow to Palace a

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简单来说希望把自己看成有道德的、有价值的生物基础，性质上不同于因肉体生存和有性繁殖而产生的各种动机的生物基础

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人类对那些象征地位差异的特征变化非常敏感，且不可能抑制不断比较的习惯，总是把自己的地位与共同体中其他人的地位相比，又用这种比较的结果来推断自己的潜能和优点

经济学家和心理学家是智力上最野心勃勃的社会科学家，因为两者都力图獬释人类变化的各种范围广泛的主题。然而，这两个学科有不同的解释目标。心理学家探究个人经历与个人成就，个性和精神疾病的生物特征之间的联合效应；经济学家研究各种制度，技术，人口，自然和人力资源对财富和生产力的综合指数的影响，据推测，这种指数与大部分人的物质舒适和健康相关。然而经济学家享有政府和公众更大的尊重，因为他们拥有大家赞同的用金钱作度量标准的优势，这使他们有可能对商品价格与供求平衡的关系作出理性的预测。此外，公众或其客户虽然并不能充分理解他们所依赖的数学模型，但这类模型有说服观众的优势，他们的各种结论具有与物理学中同样费解的方程式相联系的确定性。就好像一个医生使用拉丁文写处方时，处方的权威性自然加强了。

然而，重要的是作出以下区分：为某种丰富的数据资料发现一种数学描述方式与提出各种基于先验的假定的形式模型，这些假定或者未曾得到证实，或者与证据不一致。前一种策略是所有科学家的令人钦佩的目标，开普勒、牛顿和普朗克发明的描述可靠的观察成果的方程式都属此类目标的产物，他们的观察成果不可能用那时代的各种理论来解释。诺贝尔奖获得者经济学家西蒙·库兹涅茨（Simon Kuznets）也使各种数学命题适合于丰富的数据资料，但是他怀疑形式模型的有效性。无论如何，经济学家倡导的各种形式模型都基于这样一个有争议的前提，个人总是通过不受他人行为或经济立场的影响而作出理性的铁策，试图使自己的经济利益最大化。这样的经济学家就像弦理论家，因为两者都包含各种变量，这些变量要么未曾加以测量，要么甚至当前还不可测量。

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This series of photo books profiling the most famous personalities in the history of cinema contain approximately 150 high quality, enigmatic, and sumptuous portraits, colorful posters, rare film stills, candid shots, as well as essays and career highlights.

本丛书记述了电影史上的杰出人物，每本书含有150幅高品质人像、海报图片、剧照和生活照，以及精彩小传。

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