16世纪至20世纪大师芭蕾舞剧作品50部/Fifty Ballet Masterworks: From the 16th to the 20th Century pdf snb 115盘 kindle 在线 下载 pmlz mobi

Lincoln Kirstein, co-founder (with George Balanchine) and longtime general director of the world-famous New York City Ballet, was one of America's most eloquent and influential spokesmen for the dance. In this profusely illustrated study, he brings extraordinary erudition, a balletomane's passion and a critic's perception to the task of illuminating four centuries of ballet history. Here is an examination, lucid and brilliant, not only of dances and dancers, but of dance itself. Kirstein surveys the five components of theatrical dance-choreography, gesture and mime, music, costume, scenery and decor-and traces their development over the past 400 years. "If there is a hero," he writes, "it is choreography"--that "map of movement" embodying the syntax, idiom,and vocabulary of dance.

The heart of this impressive volume, however, resides in Kirstein's penetrating interpretations of 50 seminal works of theatrical dance-ballets which "define tradition.., or extend it through some crucial enlargement." The author begins with French court spectacles and English masques of the sixteenth and seven-teenth centuries, and covers a wide range of notable works--highlighting ways in which each broke new ground, historically or aesthetically. Here are full and provocative discussions of such important ballets as:

Salmacida Spolia (1640)

Le Ballet de la Nuit (1653)

Le Fdcheux (1661)

The Loves of Mars and Venus (1717)

Jason et Medde (1763)

Robert le Diable (1831)

Giselle (1841)

Le Lac des Cygnes

Petrouchka (1911)

Fancy Free (1944)

Orpheus (1948)

Enigma Variations

and many others(1894-95)(1968)

In addition, you'll find nearly 500 rare illustrations from Kirstein's private collection and other sources, many reproduced here for the first time: engravings by William Hogarth and Jacques Patin; photographs of the legendary Diaghilev and famed choreographer Sir Frederick Ashton; performance photographs of Michel Fokine, Jacques d'Amboise, Anna Pavlova, the great Nijinsky himself, and many more.

Fifty Ballet Masterworks presents a unique, multi-layered vision of ballet as movement, art, theatrical spectacle, and history. It is a marvelous introduction to those just discovering the delights of the dance, and a source of fresh insight and perspective to enthusiasts and experts. Lovers of ballet and other performing arts, students of the dance, and others will applaud the first modestly priced paperback edition of this landmark volume.

Unabridged, corrected republication of Movement & Metaphor." Four Centuries of Ballet, originally published by Praeger Publishers, New York, 1970. Foreword. Acknowledgments. Notes to Illustrations. Bibliography. Index. 474 black-and- white illustrations, ix+290pp. 8g x 11~. Paperbound.

Free Dover Music Catalog (59057-7) available upon request

Foreword

Ⅰ. Choreography: Materials and Structure

Ⅱ. Gesture and Mime

Ⅲ. Ballet Music: Key Composers

Ⅳ. Dress for Dancing: Antique and Historical

Ⅴ. Decor for Dancing

Ⅵ. A Conspect of Ballets 1573-1968

1573: Le Ballet des Polonais. Court Ballet: Beginnings

1581 : Ballet-Comique de la Royne Louise. Court Ballet: Culmination

1616: La Liberazione di Tirreno e d'Arnea, Autori del Sangue Toscano.

Ballet at Court: Italy

1617: La Delivrance de Renaud. Ballet at Court: France

1640: Salmacida Spolia. The English Court Masque

1645: La Finta Pazza (La Folle Supposee). DEcor and Divertissement

1653: Le Ballet de la Nuit. Royal Ballet

1654: Les Nopces de Pelee et de Thetis. Opera-Ballet

1661: Les Facheux. French Comedy-Ballet

1670: Les Amants Magnifiques. End of the Amateur

1714: Les Horaces. French Pantomime

1717: The Loves of Mars and Venus. English Pantomime

1726: Les Caracteres de la Danse. Rococo Variety

1750: La Guinguette. Ballet Burlesque

1752-53: Pygmalion. Ballet d'Action : Vienna

1754: Les Fetes Chinoises. The Exotic: Living Pictures

1758: Le Turc Genereux (Der Grossmutige TUrke).

The Exotic: Danced Drama

1761 : Don Juan ou le Festin de Pierre. Music-Drama Danced

1763: Jason et Med6e. Ballet d'Action: Heroic Pantomime

1789: La Fille Mal Gardee. Country Dances: Peasant Comedy

1796: Flore et Zephyre. Flight: Wires and Toe Shoes

1818: La Vestale. Choreodrama

1827: La Somnambule ou I'Arrivee d'un Nouveau Seigneur. Ballet Bourgeois

1831 : Robert le Diable. Gothic Romanticism

1832: La Sylphide. Ballet Romantique

1841: Giselle ou les Wills. Ballet Romantique: Score and Corps

1844: La Esmeralda. Realism: Character and Corps

1845: Le Pas de Quatre. Ballet Embodied

　1862: La Fille du Pharaoh. Ballet e Grand Spectacle

　1864: Koniok Gorbunok. Franco-Russian Ballet

　1870: Coppelia ou La Fille aux Yeux d'Email. Decadence: The Dancing Do

　1890: La Belle au Bois Dormant. Romanov Ballet de Cour

　1894-95: Le Lac des Cygnes. Music for Masterwork

　1909: La Pavilion d'Armide. France's Gift to Russia Returned

　1909. Les Sylphides. Romantic Reprise and Recapitulation

　1910: Scheherazade. D iaghilev's Oriental Orgy

　1911: Petrouchka. Ballet Russe: Music and Magic

　1912: L'Apr6s-Midi d'un Faune. Restriction Toward Revolution

　1913: Jeux. Modernity: Sex as Sport

　1913: Le Sacre du Printemps. Russian Ballet: Rite and Revolution

　1917: Parade. Modern Life: Paint and Pantomime

　1922: Triadisches Ballet. Abstract Ballet: Costume as Decor

　1923: Tanzsynfonia. Movement as Music: Symphonism

　1923: Les Noces Villageoises. Ritual Synthesis

　1928: Apollon Musagete. The Academy Renewed

　1936: Jardin aux Lilas. English Dance-Drama

　1944: Fancy Free. Broadway Ballet

　1948: Orpheus. Mime and Music: Another Start

　1957: Agon. Mastery by Music for Movement

　1968: Enigma Variations. The Composer as First-Dancer

Acknowledgments

Notes to Illustrations

Bibliography

Index

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Profusely illustrated vision of ballet as movement, art, theatrical spectacle, and history. Penetrating discussions of 50 seminal works, from the 16th to the 20th century. 474 illustrations.