The Cambridge Companion to the Guitar（ISBN=9780521000406） pdf snb 115盘 kindle 在线 下载 pmlz mobi

From the first mention in courtly poetry of the thirteenth

century to enormous global popularity in the twentieth, the guitar

and its development comprises multiple histories, each

characterised by distinct styles, playing techniques, repertories

and socio-cultural roles. These histories simultaneously span

popular and classical styles, contemporary and historical

practices, written and unwritten traditions and western and

non-western cultures. This is the first book to encompass the

breadth and depth of guitar performance, featuring thirteen essays

covering different traditions, styles, and instruments, written by

some of the most influential players, teachers, and guitar

historians in the world. The coverage of the book allows the player

to understand both the analogies and differences between guitar

traditions, and all styles, from baroque, classical, country,

blues, and rock to flamenco, African, Celtic, and instrument making

will share the same platform. As musical training is increasingly

broadened this comprehensive book will become an indispensable

resource.

Part I. New Guitar Histories and World Traditions: 1. Picking

through cultures: a guitarist's music history Victor Anand

Coelho

2. Flamenco guitar: history, style, status Peter Manuel

3. The Celtic guitar: crossing cultural boundaries in the twentieth

century Chris Smith

4. African reinventions of the guitar Banning Eyre

Part II. Roots and Rock: 5. The guitar in jazz Graeme Boone

6. A century of blues guitar Jas Obrecht

7. Rock guitar from the 1950s to the 1970s: the turn to noise Steve

Waksman

8. Rock guitar since 1980: contesting virtuosity Steve

Waksman

9. The guitar in country music Gordon Ross

Part III. Baroque and Classical Guitar Today: 10. Radical

innovations, social revolution, and the Baroque guitar Craig

Russell

11. The revival of the classical guitar in the twentieth century

David Tanenbaum

12. Stradivari and Baroque guitar construction Stewart

Pollens

Select bibliography

Glossary

Victor Coelho is Professor of Music at the University of

Calgary. His publications include Performance on Lute, Vihuela and

Guitar (Cambridge 1997) and Music and Science in the Age of

Galileo. As a lutenist he has performed throughout North America

and Europe and as a guitarist has just released a CD Come on in my

Kitchen, with his blues band.

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This is the first book to encompass the breadth and depth of

guitar performance, featuring thirteen essays which cover different

traditions, styles, and instruments, written by some of the most

influential players, teachers, and guitar historians in the world.

The coverage of the book allows the player to understand both the

analogies and the differences between guitar traditions, and all

styles, from baroque, classical, country, blues, and rock to

flamenco, African, Celtic, and instrument making will share the

same platform in this indispensable resource.